Lessebo Hand Paper Mill

In an active industrial environment, we get to learn about hand paper making and local as well as national industrial history through a collection of watermark molds. We meet Christina Gutiérrez Malmbom, CEO of Bildningsverket who through Studieförbundet Vuxenskolan runs Lessebo handpappersbruk (Lessebo Hand Paper Mill) – Sweden’s only commercial hand paper mill.

Can you tell us about Lessebo Hand Paper Mill?
During the 17th century, the same time as the founding of the naval town of Karlskrona, an ironworks opened in Lessebo. A naval town needs cannons, cannon balls and weapons, but also cartridge paper, which helps to control gunpowder explosions. Making cartridge paper turned out to be more profitable than cast iron goods and that is where the story begins for what is now Lessebo Hand Paper Mill.

The last time we were here you highlighted the collection of watermark molds. Would you tell us a bit more about them?
When making paper you use molds. These consist of a wooden frame with a cover and a taut mesh onto which a watermark in filigree is embroidered. The watermark makes a recess in the paper which can be seen when you hold it up against the light. The reasons for including a watermark may vary. A watermark can reveal who the paper maker is, or which mill the paper is from. They are also used to make forgeries more difficult, for example in bank notes or passports. Having your own paper with your family crest or company logo has long been a status symbol. In our collection we have around 200 molds and behind them are some very exciting stories representing our industrial history.

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Flax

Flax harvest
Flax exhibition
Retted flax

Photo: Stephanie Carleklev

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Textile collection

Photo: Stephanie Carleklev

From Dädesjö folk museum’s textile collection
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Ramnåsa glassworks

With the help of a wood model at Dädesjö folk museum you can learn about how window glass was blown at Ramnåsa glassworks, in the neighbouring village of Ramnåsa.

Brigitta Andersson from Dädesjö folk museum has written about the piece:
“The innermost museum room holds a collection of hand carved wooden figures depicting the work at Ramnåsa window glassworks, in use between 1915 and 1932. The wooden figures were made by Fritz Franzén who worked at the glassworks before moving to Oxelösund. The model makes the production of window glass very clear. Four teams are at work at the glassworks. A team consists of two people where one collects the melted glass at the furnace and the master then blows the glass cylinder until it is almost two meters long. The collection also contains a blowpipe, a glass cylinder, curtain rods made of glass and a window with glass from the works.”

Photo: Stephanie Carleklev

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Småland’s Flax Centre

Smålands Lincentrum (Småland’s Flax Centre) works to safeguard knowledge about the cultivation and use of flax. The aim is to collect and disseminate knowledge about flax and its use in Småland throughout the ages, to maintain a living tradition of high cultural value. This way, the society facilitates meaningful employment and good environmental management as well as expanding knowledge about the environmentally friendly flax. Flax fibers allow for locally produced clothing and other textiles, as well as many other uses. Since its foundation in 1994, the base for the society’s activities as been the craft house Sländan, adjacent to Dädesjö folk museum.

The craft house contains an exhibition about flax and textiles and in the adjoining workshop both old and new machinery used for threshing, retting and dressing flax can be found. There are also several different spinning wheels. Every year, a small field with different types of flax is grown outside the buildings. Over the years, the society has organised spinning parties and competitions, courses and seminars about flax, its cultivation and preparation, study trips, spinning courses as well as demonstrations and exhibitions around the use of flax and textile craft.

Text by Stephanie Carleklev

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Dädesjö old parsonage

Dädesjö old parsonage is part of a unique church and parsonage environment in Småland. The building dates back to the 18th century, but parts of it are probably older, and was close to being demolished in the 1920s. The idea then was to build a new, modern parsonage. With the help of both locals and others, the local folk museum managed to save the main and surrounding buildings and now cares for the property. Today, the whole area is listed.

The folk museum contains a well-preserved parsonage kitchen, larger and smaller halls of assembly and a couple of museum rooms housing a collection of textiles, a school exhibition and an exhibition about the window glass making in Ramnåsa. The unique textile collection contains a large number of everyday textiles. Apart from the physical representation of these clothes, they, together with many architectonical details, reflect an attitude of restraint, ingenuity and care.

Text by Stephanie Carleklev 

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In the Kingdom of Crystal – Humans, Environment, Future

The project I Glasriket – Människan, miljön, framtiden (In the Kingdom of Crystal – Humans, Environment, Future) took place from 1978 to 1983. It was initiated by The Workers’ Educational Association in Lessebo and Nybro together with sections 2, 44 and 122 of the Swedish Factory Workers’ Union. The intention was to take action and tell one’s own story. Inspired by Gunnar Sillén’s book Stiga vi mot ljuset (Rising towards the light) (1977) around 30 study circles were organised to collect stories about life and work at the many glassworks in Småland. The result was a colourful history of working life and spare time, presented through 21 volumes, many exhibitions and a bus tour organised together with the Swedish Exhibition Agency. The accounts cover descriptions of everything from working conditions and life around the glassworks, to work, politics, spare time, society and the position of women in the male dominated communities around the works. Through these publications we are reminded of the many long struggles for rights and to organise communalities on one’s own terms.

Photo: Emmabodabygdens arkivförening

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The Archive Society of Emmaboda

(Re-)learning the Archive talks to Pähr Gustavsson, one of the initiators behind Emmabodabygdens Arkivförening (The Archive Society of Emmaboda) which originally went by the name of Vissefjärdabygdens Arkivförening (the Archive Society of Vissefjärda). He is still very much involved in the archive’s activities.

Can you tell us a bit more about the background behind the Archive Society?
The society was founded in 1983 as the project I Glasriket – Människan, miljön, framtiden (In the Kingdom of Crystal – Humans, Environment, Future) came to an end and we wanted to create something more permanent. There were some old premises in Vissefjärda that we turned into a society archive. From that we have slowly grown, increased our activites and improved our premises. Among other things our members came together to finance mobile archive shelving. In 2006 we got better digital and visual archives.

We keep accumulating more archives. The project Kris i repris (Rerunning crisis) had collected older note sheets from music societies. The eldest ones were notes from Lessebo from the late 19th century. When Torsten Jansson bought the glassworks he wanted to sell the collections at auction. The municipality then came in and bought them. All the items ended up at The Glass Factory, but there were many archives around. We came to an agreement with Emmaboda municipality that we would take care of these archives. There are pictures, accounts, staff lists, sketches. And there are films, among others a film about Boda from the 1960s which must have been shown on American TV.

Voluntary work has been crucial in building the archive. The material we received from Kosta weighed 17 tons. It was transported to the archive by volunteers from the local folk museum, among others. Seventeen people worked without any pay because they thought it was important to safeguard the material.

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Inside the craft museum in Gullabo

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The craft museum in Gullabo

In Gullabo one can visit the amazing craft museum run by Henning Persson. Gullabo has a long history of craft. Twenty or thirty years ago there would be busloads of people coming to Gullabo for the craft according to Henning Persson. Twice a year, in summer and winter, there was a large craft fair. In July 2000 the largest wooden spoon in the world was unveiled at the fair. It was made by local craftspeople and is now in the Guinness Book of World Records. The spoon can be seen as you drive into Gullabo.

Henning Persson is a trained country craftsman and was a crafts teacher for 32 years. For many years he ran Gullabo’s school of wood carving where young people came to learn the craft. On six different occasions he went to areas in the US where many Swedes had historically settled, to share his knowledge. The many items he kept receiving from crafts people became the starting point for the craft museum. Today these objects form the core of the museum’s rich, lively and varied collection.

Partners

(Re-)learning the Archive

is a three-year long development project run by Designarkivet in Pukeberg with support from the Swedish Arts Council and Region Kalmar län (Kalmar County Council).

Christina Zetterlund
Project Manager
christina.zetterlund@designarkivet.se

Maija Zetterlund
Project Coordinator
maija.zetterlund@designarkivet.se  

In collaboration with

Virserums konsthall
Linnaeus University
Kalmar Konstmuseum

Designer in residence:
Evelina Mohei
Design and webb:
Mika Kastner Johnson

With support from 

Region kalmar läns logotyp
Kulturrådets logotyp